Soon after Cybotron, Juan Atkins honed his audio to some extent of perfection on No UFO’s. It shared Cybotron’s ambivalent view of the future – "they are saying there's no hope / they are saying no UFOs" – but toughened up the music, rendering it blacker, significantly less in thrall to European electronica. The end result is so ahead wondering, it boggles the head that it was built in 1985.

Afterwards, it had been the Electrifying Mojo who turned Detroit’s f